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<wml xmlns="http://www.w3.org/1999/xhtml"><head><meta http-equiv="Content-Type" content="text/vnd.wap.wml;charset=ISO-8859-1"/></head><card id="main" title="KAYWA"><p><big>BANDS Magazine</big><br/>Bands &#38; Musik Szene Schweiz<br/></p><p><small>23.4.2006,&#xA0;15:38</small><br/><b><a href="http://www.bandsmagazine.ch/mobile/cd-tipps/built-to-spill---you-in-reverse-warner.html">BUILT TO SPILL - You In Reverse (Warner)</a></b></p><p>[<a href="http://www.bandsmagazine.ch/files/images/2006/4/30/mob555_1145435942.gif">bild</a>]<br/>
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Sechs Saiten f&#xFC;r die Ewigkeit.<br/>
</p><p>F&#xFC;nf Jahre sind verstrichen seit Built To Spills letztem Lebenszeichen "Ancient Melodies Of The Future". F&#xFC;nf Jahre in denen Rockmusik die Hitparaden zur&#xFC;ckerobert hat und eine heisse Band von der n&#xE4;chsten, noch heisseren abgel&#xF6;st worden ist. Was das mit Built To Spill zu tun hat? Gar nichts. Die Truppe um Doug Martsch ist tief im amerikanischen Gitarren-Rock verwurzelt und stellt nachwievor sowas wie das fehlende Glied zwischen Neil Young und Dinosaur Jr dar. Um Trends braucht sie sich als solches nicht zu k&#xFC;mmern.<br/>
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Konkret bedeutet dies etwa, dass im achtmin&#xFC;tigen Opener "Goin' Against Your Mind" der Schlagzeuger durchgehend mehr oder weniger denselben Beat spielt (nach vier Minuten wird er zun&#xE4;chst leise, setzt dann ganz aus und kehrt eine Minute sp&#xE4;ter umso treibender wieder zur&#xFC;ck), der Song auf gerade mal zwei Akkorden basiert, der Gesang erst irgendwann nach zwei Minuten ganz unauff&#xE4;llig einsetzt und es doch zu keinem Zeitpunkt langweilig wird, da sich Gesangs- und Gitarrenmelodien auf wundersame Art und Weise abwechseln, umgarnen, erg&#xE4;nzen. Gegen Schluss klingen die Gitarren fast so wie bei Doug Martschs fr&#xFC;herer Band <a href="http://www.bandsmagazine.ch/mobile/exturl/http/en.wikipedia.org/wiki/Treepeople">Treepeople</a> und als Indie-Gitarren-Aficionado f&#xFC;hlt man sich dem Himmel sehr nahe. "Traces" beginnt zur&#xFC;ckhaltender, &#xFC;ber einer schlichten Akkordfolge entfaltet sich eine kurze, wehm&#xFC;tige Gitarrenmelodie, im Hintergrund erklingt ein Glockenspiel. Nach rund drei Minuten verdichtet sich das Spiel zunehmend, bis schliesslich der Song mit der Intro-Melodie ausklingt. Viel besser als mit diesem Doppelpack h&#xE4;tten Built To Spill ihr neues Album gar nicht beginnen k&#xF6;nnen.<br/>
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Mit "Conventional Wisdom", den man schon vom <a href="http://www.bandsmagazine.ch/mobile/exturl/http/www.bandsmagazine.ch/p402.html">Basketball-Spiel</a> mit Doug Martsch kannte, folgt an sechster Stelle dann sowas wie ein "Indie-Rock-Instant-Hit", mit niedlicher Melodie am Anfang und furiosem J Mascis-Solo am Ende. Sicher der eing&#xE4;ngigste Song des Albums, wenn auch nicht unbedingt der beste. Track Nr. 8 ("Mess With Time") hingegen ist der ungew&#xF6;hnlichste Song des Albums und ich muss zugeben, dass ich ihn in einer fr&#xFC;heren Version dieser Rezension als "richtig schlechten Song" bezeichnet hatte. Nach drei langen Minuten mit zwei nur von einem Halbton-Schritt getrennten Akkorden und orientalischem Gitarrengenudel wechselt der Song abrupt in einen Ska-Part, wie man ihn von mediokren Punkbands kennt. Aber die Leadgitarre beginnt eine eigenartige Magie zu entfalten, der Song kriegt einen osteurop&#xE4;ischen Touch und ich find Kollege <a href="http://www.bandsmagazine.ch/mobile/exturl/http/indieblogg.blogspot.com/2006/04/built-to-spill.html">Indieaners</a> Bezeichnung "Gipsy-Teil" mittlerweile passender als "Ska-Part". Je &#xF6;fter ich mir den Schluss des Songs anh&#xF6;re und der Gitarrenmelodie zu folgen versuche, umso st&#xE4;rker zieht sie mich in ihren Bann.<br/>
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"You In Reverse" ist ein entspanntes, zeitloses Gitarrenalbum f&#xFC;r Leute, die sich zum Musikh&#xF6;ren gerne Zeit nehmen und die von der Suche nach dem n&#xE4;chsten Pop/Rock-Hit genug haben, ihr f&#xFC;r eine Weile den R&#xFC;cken zuwenden m&#xF6;chten oder sich gar nie darauf eingelassen haben.<br/>
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9/10<br/><br/>
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